Editor’s note: This biography of Bird of Ill Omen was written entirely by Alexandre Julien, with collaboration from the band members, throughout 2007, for their now defunct Myspace page.
-Chapter 1 (Summer 1996 – October 1996)
In the early summer of 1996, Tom Rankine (bassist) setup a jam with local Miami, Florida musicians for a sludgy, metalcore influenced by Bloodlet. He recruited Andrew Logan and Jose (last name forgotten) on guitars, George “Lil’ Jorge” Rios on drums and Carlos “Bundy” Perez” on vocals. This line-up named itself “Crestfallen”, named after the Split Lip song from their album “For the Love of the Wounded”. Initially they had little direction and their sound was generic metalcore without “the Florida sound”. After writing about four songs, and playing a single show on July 13th at Cheer’s in Miami, Crestfallen dismembered. Bundy went on to play in Trust No One and To the Bitter End, while Andrew started Hondo.
But Tom, George and Jose continued playing together. In August of 1996 they recruited Damien Moyal who had just been kicked out of Morning Again after only nine months in the band. This line-up briefly used the name “Fork in the Road” before Damien suggested “Bird of Ill Omen” which everyone quickly agreed to be the new band name. Damien then suggested one of his friend, Joe Simmons, come in as second guitarist. With their first five songs, including “Trash Your Face”, “Spoon”, “Pronoun” and “Now Ruin Is”, this line-up booked their first show at Cheer’s in Miami. From their first show, Damien set the image for the band. During the set he chose the person most into the music and started wrapping the microphone chord around his neck while still screaming into the mic.
A few members of Morning Again (minus John Wylie) attended their show, including their bassist at the time, Peter Bartsocas. Pete became an instant fan of Bird of Ill Omen. He quickly started hanging out with them and attended their band practices. Then a whole series of events occurred, as if faith was already planned. In just a few weeks, Pete would quit Morning Again because John Wylie was planning a massive summer tour which he knew he wouldn’t be able to attend. Then Jose announced that he was moving to another city and before he even had time to quit, Tom asked Pete to play guitar for the band.
One of these still early shows for the band was in October of 1996, at the Club Q in Davie, Florida. This event would continue to be talked about for years. Throughout the show, Damien had been asking the audience if they wanted to see his genitals. After finally pulling them out, he realized that someone had been playing with the microphone volume, which he had been attempting to fix after every song. When he caught the guilty person in the act, he jumped onto him and started a short-lasting fight before he was walked out of the venue to cool down. Before anyone knew what was going on, Damien climbed up the brick wall from outside and leaped in from an open window right on the head of the prankster, in time to start the next song. It was legendary.
-Chapter 2 (November 1996 – March 1997)
In November, Damien and Tom attempted to extend the band to a second vocalist. They asked Rob Augman to come try out and wrote a completely new song with him, “Scratch”. But Rob’s vibe wasn’t fitting with their music and he wasn’t asked to come back for another rehearsal. The Bird would play this new song live at The Warehouse with Discount and Shai Hulud. Pete would assume Rob’s vocals live from this day on.
On January 17th 1997, Bird of Ill Omen played with Earth Crisis, Shai Hulud and Vision of Disorder at Cheers. The entire South Florida hardcore scene was present. After this show, John Wylie asked Joe if he’d be interested to play guitar in Morning Again, as there was already a vacant spot in the band since December. Joe eagerly jumped on the opportunity. But this started causing a problem for Ton, who was making all the decisions in the band. Having already interchanged three members with Morning Again, he knew that they were getting too big to allow any free time for a second band. Without consulting everyone, he kicked out Joe and asked Andrew to come back into the line-up.
Damien was busy in Gainesville, having reconciled with Rich Thurston, singing again in Culture. By the time that he got news that his friend had been kicked out, it was already March. He immediately quit The Bird after only eight months in the band. Damien would go on to join Wayside later in 1997, and quickly changed their name to “As Friends Rust”, a name taken from lyrics of “Now Ruin Is”.
-Chapter 3 (March 1997 – September 1997)
That March, Bird of Ill Omen held an open-house audition at their jam space in north-Miami Beach (Where Brethren and Makeshift also practiced). Some of the ten or so people who tried out included Rob Augman (again) and Alex Martinez (from Makeshift). The last audition of the night was by a new Florida resident, William Shane Post. Shane had moved to Florida along with Brian Baxter and Kevin Byers, from the Cleveland, Ohio area. Over time, many more of their friends would make a similar move (Steve Looker, Matt Thomas, Aaron Hiser, Chris Commons). Shane was an instant fit for the band, and with him, the whole set list was revised. April 26th was potentially Shane’s first show in the band. The concert was played at The Kitchen Club with Malevolent Creation, Mendacity and Radio Bagdad.
“Scratch” and “Trash Your Face” were dropped, and they provided Shane with Damien’s lyrics for “Spoon”, “Pronoun” and “Now Ruin Is”. In April three new songs were composed; “Mannequin”. “Paper Stains” and “Sharpshooter”. John Wylie then started his record label, Eulogy Recordings, funded by Morning Again’s success. Bird of Ill Omen were the first band signed to the label, and John offered to pay for their first recording session. Pete had already recorded at Studio 13 with Jeremy Staska, but for some reason the band found Mad Hatter Studios closer to home.
All the instruments to their full catalog (six songs) were recorded between May 11th and 12th with producers Marek Stycos and Moe. But after those two days, the money that John had provided was exhausted and the vocals and overdubs still needed to be tracked. After much begging, John provided one more day’s cash but refused to advance anything else to the band. Members were stuck having to sell whatever they could scramble from their parent’s house in order to make just enough (after negotiating) to finish the album (May 13th-15th). The band was so broke that the mixing was rushed. But it wasn’t that big of a deal because everyone liked the way the songs turned out.
The rest of May was spent putting together the layout for their first CD, “Self, Dare You Still Breathe?”. The album title was taken from Damien’s lyrics in “Pronoun”. Each band member brought macabre pictures which they thought were reflective of the bands destructive music. They also included pictures taken by Dana C. and Stefanie Jones. Tom, George and Nick Dominguez (of Strongarm) then sat down and created part of the layout. But eventually, by strong recommendation of John Wylie, they sent it off to Sean Mallinson (from Immigrant Sun Records) to finish it. After a few dial-up internet proofing that took hours each time, the layout was finished! Around this time, they also created their first website (http://www.icanect.net/sfhc/birdofillomen).
Meanwhile, John Wylie had booked a ten-day Morning Again tour through the eats coast, Canada and mid-west. He asked Eulogy’s first band to join them last minute, and therefore most flyers wouldn’t even credit them. Bird of Ill Omen had no merch to take with them on these shows and Eulogy had already used the money to finance the upcoming tour. So The Bird dubbed cassette tapes with two songs (“Sharpshooter” and “Now Ruin Is”) with photocopied inserts and lyrics. The tape, released through George’s tape-dubbing company, Askone Productions, sold out within the first two shows in New York.
The Morning Again / Bird of Ill Omen summer tour started out at The Joint in Staten Island, New York on June 20th. The next day they played the Syracuse Festival alongside 454 Big Block, Another Victim, Ascension, Beta Minus Mechanic, Birthright, Burial Ground, Cast Iron Hike, Coalesce, Culture, Day of Suffering, Despair, Dirge, Dissolve, Drowning Room, Endeavor, Frodus, Ground Zero, Handful of Dust, Hatebreed, Indecision, Lockjaw, One to Face, Order of Deceit, Silent Majority, Snapcase, Sweetbelly Freakdown, Ten Yard Fight and Today is the Day.
On June 22nd they crossed the Canadian border to play a show in Oakville, Ontario with New Day Rising. At this show, everyone was so impressed with the recently reformed New Day Rising, that John signed them to Eulogy on the spot and Tom discussed the possibility of doing their next tour with them. The two bands then headed back to the States to play in Canton, OH. On June 24rd they played Pharoh’s Golden Cup in Westland, Michigan with Grimlock, Holdstrong and Trephine.
They then went back to Ohio to play in Cincinnati, followed by Arlington Heights in Illinois. Then back one last time to Ohio for a show in Dayton. June 28th was one of the most memorable dates of this tour. Morning Again and Bird of Ill Omen arrived in the middle of the three-day Indianapolis Hardcore Festival to play at the Emerson Theater. This event also featured Acrid, Anti-Flag, Cave In, Cavity, Charles Bronson, Drift, End of the Century Party, His Hero is Gone, Macara, Monster X, Palatka, Puritan, Race Traitor, Reversal of Man, Serotonin and Versailles. At the end of their set, Pete became so involved in the madness of The Bird performance that he smashed his guitar across the floor, accidentally breaking his toe in the process.
Morning Again and The Bird were then joined by Cave In, who were also at the Indianapolis Hardcore Festival, for the last Morning Again show in Atlanta, Georgia. Cave In and Bird of Ill Omen would continue alone for two more dates back home. On July 1st they played at the 403 Chaos in Tampa with Omegaman and Strike Three. After this show, Steve Heritage asked them to contribute a song for an upcoming benefit compilation for the club. Tom would send in “Sharpshooter” and the compilation, “403 Chaos Comp – Florida Fucking Hardcore”, would be released in the summer of 1998. On July 2nd they finished off at The Vero Women’s Club in Vero Beach with Carlisle and I Hate Myself.
-Chapter 4 (August 1997 – December 1997)
When the band got back from their first tour, Eulogy decided not to use the money made from these shows to release “Self, Dare You Still Breathe?”. John instead released the label’s second planned release, Red Letter Day’s EP. Red Letter Day had only recorded their five songs in July but they were put ahead of the line. Two possible reasons could explain why Bird of Ill Omen was put on the back-burner; Red Letter Day was a post-As Friends Rust band comprised of every member from the band except Damien Moyal and this could have been a way to get back at him. Additionally, Red Letter Day’s layout was much simpler and featured a two page booklet, whereas Bird of Ill Omen’s booklet would have been more costly with four pages.
Additionally, “‘lil” George had been bashing heads with some of the members during the tour. There was certainly tension in the band but when Morning Again asked them to come back on the road in mid-July for the More Than Music Festival in Columbus, OH, they put their differences to the side. That year’s line up also featured Acrid, Al8, Anti-Flag, Armstrong’s Secret Nine, Ascension, Asshole Parade, Boy Sets Fire, Braid, Cerberus Shoal, Charles Bronson, Code 13, Dillinger Four, Hal Al Shedad, Harriet the Spy, Hellbender, Hellnation, His Hero is Gone, Hot Water Music, Mk-Ultra, Nema, Remington, Resin, Servitude, Shah Razad, Spazz, Standing 8, Supression, The Get Up Kids, The Great Unraveling, The Man I Fell in Love With and The Promise Ring.
But about a week after this weekend, George Rios left Bird of Ill Omen and joined Brethren as their new drummer. His last show would be the house show at 16401 North East 15th Avenue in Miami with Overcast. Through playing shows with Mendacity, they already knew Jose Flores, who happened to look somewhat like George. They therefore nicknamed him “Little Jorge”. Jose’s first show with the band was at the North Carolina Hardcore Festival in mid-August. This three-day festival was played with Acrid, Andromeda, Armstrong’s Secert Nine, Assfactor 4, Conephera, Dragbody, Facad Burned Black, Harriet the Spy, Her Sparkle Dims, Ire, Palatka, Party of Helicopters, Puritan, Race Traitor, Rentamerica, Rye, The Cookie Cartell and Ursa Minor.
On August 21st they played The House of (Punk) Rock in Lighthouse Point,FL with Shai Hulud, Dead Patriot and Keith Welsh. After a summer spent promoting their unreleased album, The Bird started working on some new material. In the fall, two new songs were written and first shown off at the Women’s Club in Vero Beach, FL. That October 11th show was played with Shai Hulud, Strongarm, Peterbuilt, Carlisle and Destro.
On Friday, October 31st, the band dressed up as nuns for their Halloween show. They usually didn’t play covers but that night they played three very appropriate Misfits songs; “Bullet”, “Die Die My Darling” and another which could not be remembered. During the last song, Andrew’s friend, Alex “Bubba C” Ceballos hid behind the guitar amps and jumped out with a bucket of fake blood to throw all over the audience.
Winter was approaching and the band wanted to tour again. Tom made all the arrangements for a two week trip up the mid-west to Ontario for a few more shows with New Day Rising and back down through the east coast, hitting a lot of the same venues they had played that summer. The band rented a van from some guy in Pompano Beach and Ralph Rodriguez, the guitarist in Mendacity, was to be the bands roadie on the trip. In mid-November, The Bird played at The Prop Room in Fort Lauderdale with Bloodlet, Shai Hulud and Brethren.
The tour was ready, but not Bird of Ill Omen’s merch. Eulogy was still putting off the release of their debut CD, opting instead to send New Day Rising’s album “Memoirs of Cynicism” to the pressing plant. Alex Kenny and Erica Scull were then approached by Tom to release “Self, Dare You Still Breathe?” on vinyl through their label Think Tank Records. Think Thank Records was still a new label which had only released Keith Welsh’s 7″ “9:35 A.M.” the year before. So they needed time to collect funds to release it, which gave the band a chance to design a brand new layout for it.
With only a few days to prepare new merchandise for the tour, the band photocopied some completely new artwork for home burnt CD-Rs. Only one hundred were made and were packed with razor blades and metal strings which the band had soaked in salt water to make them rust. The packaging would be another selling-out success. By this time the band also had two varieties of t-shirts to sell.
Most of the shows from the December 1997 tour were not fully recovered. But from the little that has survived, The Bird played The Deer Lake in Knoxville, Tennessee with Fallen Grace and 66 Drop Off on December 6th. Two days later they were booked at the Legion of Doom house in Columbus, Ohio with Adam’s Fall. Later that week they crossed the border into Ontario, Canada to play four shows; two with New Day Rising, two with Brutal Truth
On December 14th they played at The Generator, in Toronto, with Brutal Truth, Dirge, Xanax and Inertia. The following day they played at The Embassy with Brutal Truth again. This was followed by a barn show near Mississauga and a church show near Oakville, both with New Day Rising. It was at at one of these shows that Shane fell in love and started a long distance relationship with a Canadian girl.
It was the intended for The Bird to play one more week’s worth of shows down the east coast. Some of the shows from this leg would have been at The Joint in Staten Island with Indecision, Milhouse, Sons of Abraham, Watership Down and SkyCameFalling, a radio station in New Jersey, and Stalag 13 in Philadelphia. Their tour was to finish in Florida on the 19th, just in time for Alex Kenny’s Gainesville Festival. But when they reached the boarder, they were surprised to find out that Jose’s student visa had expired and he had failed to renew it. Jose was denied access back to the States. Knowing that their tour was over without a drummer, the band found a hotel in the Niagara Falls region and spent a couple of days trying to figure out how Jose was going to get back into the country. Eventually they realized that they had no choice but to leave him behind and make their way back home alone. Jose had some relatives in Montreal, Quebec, where he wound up going to stay for a few months.
-Chapter 5 (January 1998 – August 1998)
With Jose stuck in Canada, Mendacity and Bird of Ill Omen were on an inevitable hiatus. But there was finally good news from Eulogy. In February John announced that “Self, Dare You Still Breathe?” was out on CD. An initial one thousand copies were pressed, which over the next couple of years sold out. Without the band’s permission, John repressed the CDs at least two more times to keep up with the demand through out the 2000’s.
Bird of Ill Omen were still hopeful that Jose would be back to Florida in the next few months. The previous two songs that had been written in a short month lead them to believe that they could easily write four more for their second release. In an April 1998 interview, they stated that they planned to record at Studio 13 with Jeremy Staska in October for a six-song CD, four-song 7″ EP. There was also talk of a full New Day Rising / Bird of Ill Omen tour for August and then a European tour in February of 1999, in support for Goodlife Recordings’s distribution of the album on Eulogy. Tom and Nick Dominguez then spent the rest of April and May putting together the new layout for the vinyl version of “Self, Dare You Still Breathe?”. The six songs were then sent off to Dan at S.O.B. for mastering.
But Jose wasn’t coming back and complications eventually forced him to move to Spain. Shane was also moving back to Ohio to be closer to his fiance who he was marrying later that year. So in March of 1998, Pete, Andrew and Tom then went off to various side projects. Andrew reformed The Springfields with Tom on bass and Pete on guitar and played a few shows with this lineup. But the most impressive side-project would be Dead Mens’ Theory, featuring Alex Ceballos on vocals, Tom on vocals, bass and guitar and Andrew on drums. Pete would play bass at all their shows, but was mostly busy as the new second guitarist in As Friends Rust (his time in the band would be short lived). This band quickly got picked up by Ohev Records who, unlike Eulogy, wasted no time in pressing up merchandise for the band. At this time both Bird of Ill Omen and Dead Mens’ Theory created new websites (http://www.thebird666.tripod.com and http://www.thebird666.tripod.com/dmt).
In early July, Erika Scull finally came out with the vinyl version of their first release. The 12″ was pressed in five hundred copies on black and another five hundred on transparent gold. Then from July 27th – 31st, Dead Men’s Theory recorded nine songs at Android’s Dungeon for their 7″ EP, financed by Gabe Ermine for Ohev. The songs were mastered on August 5th and the EP, “To Never Love Again”, was out later that month on a splattered grey vinyl. Dead Mens’ Theory had then booked a tour from late September to early October. But days before they were set to leave, Tom disappeared for a few days and the tour was cancelled. Apparently he came back with tons of vinyls for his distro.
Bird of Ill Omen were still receiving offers to play shows but without a drummer, nothing could happen. Pete and Andrew had occasionally gotten together to jam The Bird’s songs. The two newest songs written with Jose on drums were evolved from slower, more sludgy sounding songs, comparable to their first release, into faster, more chaotic ones, which would be reflected on their second release. With this, Pete and Andrew started considering reforming Bird of Ill Omen.
But Dead Mens’ Theory was still active, talking of doing a split with Hondo and printing a new t-shirt design to sell at shows. Additionally, Chris Williams asked them for a song to put on the upcoming Witching Hour Records compilation, “Better Luck Next Time”. They would send him the song “Broken Home”.
-Chapter 6 (August 1998 – June 1999)
In August, Tom found Nahuel Gauna, who was at the time playing drums in Milkshed. He was the perfect fit for The Bird’s new fast and chaotic songs. They practiced for about a month at Andrew’s mother’s house in Miami Springs and started planning and booking shows and a mini east coast tour. Hardly any dates of this have survive but one was to be on September 5th at Stalag 13 in Philadelphia with Grief, 16, Twenty Third Chapter and Abnegation.
But Shane was still living in Ohio and he wasn’t able to make it out for the tour due to personal obligations with his girlfriend. So no shows were played. By October the four new Bird of Ill Omen songs were finished and Tom booked a recording session at Studio 13 to record with Jeremy Staska. Shane flew in specifically to record the EP from November 1st to the 8th, and then returned home to finalize his wedding, which ultimately killed any chance of touring. Jeremy Staska seemed to understand the sound the band was going for and provided a true Florida-sounding record. Mastering of the four songs happened on November 9th. For the rest of the month, Tom and Sean Mallinson prepared the layout for CD EP. Meanwhile Pete went back up north to tour with As Friends Rust and Andrew took care of his sick mother. John offered to release Bird of Ill Omen’s new EP on CD as well and a few shows to promote it were quickly proposed.
In April of 1999, Eulogy Recordings finally released Bird of Ill Omen’s second recordings, “When Love Would’ve Show Interest in Us Both”. As per the first release, an initial one thousand copies were pressed but over time an additional two to three thousands were repressed through out the 2000’s. John Wylie claims to have made payments to one of the members of the band for the represses of both CDs but cannot remember the name of the person. But after asking each of them, none of the members of the band have ever received money from John at any point in time.
After this CD was released, Chris Tzompanakis from SkyCameFalling approached Tom about putting out the last release on 7″ vinyl through his label One Day Savior. This finally hit the streets in August of 2000 and on five different vinyl colors:
- 638 on black vinyl
- 200 on black/red swirl vinyl
- 102 of green vinyl
- 117 on clear vinyl.
Sometime in 2000, the pressing plant sent in fifteen extra copies of the clear record which had somehow fell out of the box when it was first sent out. These were labeled as a second pressing but were actually part of the 117 clear vinyls that were ordered.
-Chapter 7: The Bird Reunion (July 2012 – September 2012)
In the summer of 2012, The Bird was asked to perform a reunion show for the Reel and Restless Festival in September. On August 20th, Pete, Tom and Nahuel got together to practice their first live show in fifteen years. After spending three days rehearsing, they met back again, as a full band with Andrew and Shane, on September 14th, two days before playing the show. Their only reunion show was played at Churchill’s Pub in Miami, and for this the band repressed their razor blade t-shirts, pressed stickers and had an all new shirt designed by Kyle Borchgardt.
-Complete show listing and flyer archive (work-in-progress)
- 1996-07-13 Cheer’s (Miami, FL) Reaching Out, Makeshift
- 1996 House Fest (???) Shai Hulud, Discount
- 1996 Club Q (covered Morning Again’s God Framed Me with different lyrics “trash your face”. song was called “Business Move”)
- 1997-01-17 Cheer’s (Miami, FL) Vision of Disorder, Earth Crisis, Shai Hulud
- 1997-04-26 The Kitchen Club (Miami, FL) Malevolent Creation, Mendacity, Radio Bagdad
- 1997-06-05 Cheer’s (Miami, FL) Bloodlet, Mendacity
- 1997-06-16 Space Cadette (Miami, FL) Inept, Cavity, Al8
- 1997-06-20 The Joint (Staten Island, NY) Morning Again, Endeavor, Voorhees, Coalesce, Hour of the Star, Tripface, Harvest
- 1997-06-21 Syracuse Festival (Syracuse, NY) Morning Again, Culture, Coalesce, Today is the Day, Indecision, Burial Ground, Order of Deceit, Beta Minus Mechanic, Lockjaw, Silent Majority, Handful of Dust, Ground Zero, One to Face
- 1997-06-22 Oakville YMCA (Oakville, ON) Morning Again, Coalesce, Karenza, Sons of Abraham, Harvest, Endeavor
- 1997-06-23 The Fort (Canton, OH) Morning Again, Despair, Hatebreed
- 1997-06-24 Pharoh’s Golden Cup (Westland, MI) Morning Again, Grimlock, Holdstrong, Trephine
- 1999-06-25 ??? (Cincinnati, OH) Morning Again
- 1997-06-26 Knights of Columbus VFW Hall (Arlington Heights, IL) Morning Again, Despair, Hatebreed, Culture of Violence
- 1997-06-27 Circle Billiards (Dayton, OH) Morning Again
- 1997-06-28 Indianapolis Hardcore Festival, Emerson Theater (Indianapolis, IN) Morning Again, Cave In, Birthright, Day of Suffering, Dragbody, Los Crudos, His Hero Is Gone, Early Grace, Absinthe, Asshole Parade, Armstrong Secret Nine, Agna Moraine’s Authobiography, Caniphera, Coalesce, Damad, Despair, End of Century Party, Grade, Charles Bronson, Inept, Jenny Piccolo, Karenza, Khmer Rouge, MK Ultra, Makra, My Lai, Man I Fell In Love With, Palatka, Prevail, Roswell, Reversal of Man, Racebannon, Race Traitor, Supression, Shahrazad, Versailles, 400 Years (Pete slammed his guitar on his foot and broke it. spent rest of tour playing sitting down)
- 1997-06-29 Buford Civic Center (Atlanta, GA) Morning Again, Cave In, Snapcase, Ex-Members Of
- 1997-07-01 403 Chaos (Tampa, FL) Cave In, Omega Man, Strike Three
- 1997-07-02 The Vero Women’s Club (Vero Beach, FL) Cave In, Carlisle, I Hate Myself
- 1997-07-11/13 More Than Music Fest (Columbus, OH)
- 1997-08-15/17 North Carolina Hardcore Festival (Greenville, NC) Assfactor 4, Rye, Harriet the Spy, Armstrong’s Secret Nine, Party of Helicopters, Ire, Puritan, Dragbody, Acrid, Andromeda, Facad Burned Black, Conephera, Race Traitor, Palatka, Ursa Minor, Her Sparkle Dims, Rentamerica, The Cookie Cartel (booked by some Alex in North Carolina)
- 1997-08-18 16401 North East 15th Avenue (Miami, FL) Overcast, Defy
- 1997-08-21 The House of (Punk) Rock (Lighthouse Point, FL) Shai Hulud, Bleed, Dead Patriot, Keith Welsh
- 1997-10-11 The Vero Women’s Club (Vero Beach, FL) Shai Hulud, Strongarm, Peterbuilt, Carlisle, Destro
- 1997-10-31 Halloween show
- 1997-11-08 The Theater (Fort Lauderdale, FL) Bloodlet, Shai Hulud, Brethren
- 1997-12-06 The Deer Lake (Knoxville, TN) Fallen Grace, 66 Drop Off (booked by Will of Fallen Grace)
- 1997-12-08 Legion of Doom (Columbus, OH) Adam’s Fall
- 1997-12-?? some radio station (???, NJ)
- 1997-12-?? Stalag 13 (Philadelphia, PA)
- 1997-12-12 The Joint (Staten Island, NY) Indecision, Milhouse, Sons of Abraham, Watership Down, Sky Came Falling
- 1997-12-14 The Generator (Toronto, ON) Brutal Truth, Dirge, Xanax, Inertia
- 1997-12-15 The Embassy (London, ON) Brutal Truth
1997-12-19/21 Gainesville Hardcore Festival, Camp McConnell, Micanopy YMCA (Micanopy, FL) New Day Rising, Skaladays, Keith Welsh, Dawn Of Orion, Fairchild, Carisle, Madison, Dark Angel Divine, The Vacant Andys, Brethren, Omega Man, Ed Matus’ Struggle, Chaklike, Failsafe, Karenza, Piebald, Jesuit, Reversal of Man, Grade, Hot Water Music, Cerberus Shoal, Dead Patriot, Morning Again, Inhumanity, Shai Hulud, Battery, Frodus, Mancake, Dragbody(this was setup by Alex Kenny) 1998-01-10 ??? (Knoxville, TN) Brother’s Keeper, Today is the Day, Process is Dead, Frodus, Fallen Grace(booked by Will of Fallen Grace) 1998-09-30 Stalag 13 (Philadelphia, PA) Grief, 16, Twenty Third Chapter, Abnegation
- 2012-09-16 Reel and Restless Festival, Churchill’s Pub (Miami, FL)