Two Line Filler (or 2 Line Filler) was one of the best appreciated and most successful emo bands to come out of Canada in the 90s. And everything they did was amazing! Every release was a masterpiece. I wouldn’t say this band was underrated, because they got a load of attention back then, but they surely are forgotten, and that shouldn’t be.

Two Line Filler formed in the summer of 1991 from two members of the band Just Another (Matt White and Kevin Mellors) who wanted to do something a little more Fugazi/7 Seconds type hardcore. They recruited Paul Schedlich on bass, and he came up with the name of the band, though the reference is forgotten. The bands first recorded material, early versions of songs taped in their basement jam space, has since been lost. But in August and September of 1992 they would record the instrumental material of what would become their first EP “Reinforced Arms for Better Life”. Matt went in studio alone with Simon Head to record the lyrics, which dealt with his straight-edge views. The rest of the band hated it, and it marked the beginning of inner tensions between Matt White and whomever else was on the other side. The 7″ was released on Me First Records which was a Grrrl Edge label based out of Etobicoke, no doubt a perfect label for the subject of the release. One of these songs, “Need to Help” was used on the Input Rage Records compilation “Stereophonicus Disruptus”, also in 1992. By the end of the year, Allan Shaw was asked to join the band as second guitarist. In January 1993 they once again met up with Simon Head and Pete Hudson to record their first demo tape, this time at Friendly Pirate Studio (now called Hallamusic). “Trash” was where the band started to really stand out as a serious emo band. The music was typical hardcore punk of the early 90s, but Matt Whites amazing voice would bring it to the forefront. And with this demo, they started to gather contacts and play serious shows. The demo was sent to quite a few record labels including New Red Archive, Break Even Point and Conquer the World. Though New Red Archive was interested, the band signed with Break Even Point due to their great roster of bands and bigger distribution. New Red Archive did however acquire about using certain songs from the demo for an upcoming compilations entitled “Hardcore Breakout USA Vol. 2”, which took two years to finally get released.

In December of that year the foursome worked with producer, Scott Campbell, on what would become their first album “So Far Lost”. Even though the band felt the production was too buried for their liking, they accepted it anyway. The record wouldn’t be out until the end of the summer, so they booked their own tour to get a buzz going. They contacted “Book Your Own Fucking Life” and they set up a tour in the US and Canada that begun on May 16th and would last until mid June when their van broke down in Nebraska. The rest of the west coast shows were canceled as well as a couple east coast dates on their way back. To add to the financial difficulty of making it back home, as some of the promoters ripped them off, Matt’s character was alienating the rest of the band. Not very long after coming back, Paul, Al and Kevin would quit the band and create Drop Forge. Matt White was left alone, but would refuse to let the band die. Having been asked for a release by a close friend, Dave Partridge, who was starting up Last But Not Least Records, he took two songs from the “Trash demo” (“It’s Time” and “Leave”) and let him use it. With very little motivation for artwork or band information, he let Simon Harvey handle everything. The other side featured Fadeaway, which was very straight-edge and serious, as opposed to what Dave made of the 2LF side of the split. In created a true split, where neither band was connected.

In the summer of 1994, Matt White then joined Chokehold for a full US tour. upon returning, he asked drummer Matt Beckman and bassist Josh Fletcher to join as Two Line Filler’s new rhythm section. But their participation only lasted a few months and Matt continued writing material on his own.

By the spring of 1995 New Red Archives was asking 2LF for a full length album. Matt White locked himself in his bedroom in early May and wrote the entire record in a week. He went in studio with Simon Head who also played drum and bass on the record, and was welcomed by Al Nolan to do some vocals on the record. The recording session was quite tedious once again, and Simon Head’s love of the bands music was the reason for his toughing it out. In fact you can hear him yelling “Stop, Stop Stop”, and in the following bit. Matt white was always one to create his own timing in his songs and with an amazing playable technique. Nick from New Red Archive paid for Matt to go to L.A. and remix the entire album in three days with Steve Kravac, even though Simon Head had done a great job to begin with. Unfortunately the original mix of the album has since been lost. “Listener” remains today a huge classic, and to me a perfect album. It was also the only time the band was credited as “Two Line Filler” as opposed to “2 Line Filler”. Simon and Matt also collaborated on a two song recording session later that year which would produce the great classic tracks “I’m Just Fine” and “Openly”, the first of which was used on the Second Nature Recordings compilation “A Document of Nothing” and the second would go unreleased until New Red Archive’s 2005 compilation “Hardcore Breakout USA Vol. 3”.

For the 1995 and 1996 tour Matt first recruited Pat Dupuis on guitar, by recommendation of Al Nolan and Mark Holman. Pat audition at Matt’s house and though he came from a heavier musical background, he was invited to join the band. Pat then asked his friends Johnny Drew to come play drums and Mike Calder on bass. However after the first two Ohio dates with Pennywise, Pat left the band. This line up recorded their side of the split with Pezz in 1996 as “Bittersweet Vol. 3” in Memphis, with producer Peter Hudson once again. The split was released by Bittersweet Records but after the first pressing, which was split in half for both bands, the label folded with no copies left. There are very little copies of this split and I believe it is the rarest release of the band. The band then found Al Biddle and Colin Clark to come in for a three weeks east coast/midwest tour with Enkidel. On their way back, Vinny from Bettersweet Records would land the band a show at CBGB’s where they would be approached by Dave Prior of the major record label Arista Records. A meeting was set up in a NYC hotel room, where Matt and the band discussed the possibility of releasing an album on the label. Matt would take the opportunity to run his mouth the entire meeting long, ruining all chances of a major label signing. Mike Calder, Al Biddle and Colin Clark would form Dead Season that following weekend. The line-up would manage to record two songs “Life Just Isn’t Fair” (aka “Screams the Kid Again”) and “Reassuring” before parting ways.

Matt would continue to write some material as 2 Line Filler here and there on the side, but his reputation as a hard to deal with character left him with little band support. In 1997 Mayfly Distribution was putting together a compilation entitled “A Benefit Compilation Brought to You by Mayfly”, on which the song “Sorry” from the “Trash” demo was used. In 1998, New Red Archives used “Home” from “Listener” on their compilation “At War With Society”. In 2000, he collaborated with Nick Pye and Dan Burke on two final songs, “The Time to Live” and “Reassuring”, which never got released. Finally, New Red Archives released the second song from the post-“Listener” two song recording session, “Openly” on the third and final “Hardcore Breakout USA Vol. 3” in 2002.

Two Line Filler Discography

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  • David Partridge

    I’ve been posting various things from the early 90s pop punk era in Pickering / Ajax on my Youtube account (including the Five Foot Nothing Demo that Matt White sang on way before Just Another or Two Line Filler) if anyone’s interested…

    Also lots of other really awesome hardcore and mosh metal demos.

    The music from back then was so amazing, I’ve been chasing my youth ever since.

  • David Partridge

    I felt really bad about the way the 2LF split with Fadeaway went over. Everything went wrong, and more or less because I was cajoled into ‘being a part of the scene’ by starting a record label when it was never something I had a knack for. For one, I had no idea that a lacquer needed to be sent off to the pressing plant to begin the pressing process immediately after it was cut. I didn’t know that a record lacquer starts to break down as soon as it’s made. It sat in my basement until I could save enough money to initiate the pressing process. That’s why the record sounds all fuzzy.

    As for the artwork, I told the guys in 2LF they had a deadline to come up with something, if not I’d see to it myself and they probably wouldn’t like it. 2LF never produced, so one night in Simon’s basement we hashed out a totally crappy DIY record cover together. Punk as #%$@ right?

    Lastly I had no idea how to distribute this thing. I got no help from anyone. I did the best I could, but ended up losing thousands of dollars over the whole deal. The same things happened with the Scare Tactic release on my next attempt at a record label, “Solomon Method Records”. I would have done better as a silent partner, or co-producer of a record label.

    To the guys in Fadeaway, I send my apologies for the whole mess. If I could do it over different I would.

    David Partridge aka Dave Last

  • Jon Wilson

    Home – what an absolutely killer song!

  • -rav-

    I know Drop Forge. Yes, they shared some members. TLF’s Bass player played Guitar in Drop Forge. The Drummer was the same, and the other guitar player was also the same.

    A much heavier, post punk sound. A great band.

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  • Probably nobody will ever read this, but I’m curious if anyone knows anything about the band Drop Forge, who I believe was members of 2 Line Filler… though I may be mistaken.

  • Ryan

    their last EP “time to live” is also really good, clean guitars, much more mellow but still fits in the two line filler discography. i’m not sure if it was officially released but it made it’s way around musicians in the toronto area…

  • Matt White whereever you are man… I still love you! hehe

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  • EVCco

    That split with Pezz remains, at least for me, one of the greatest five-song assemblages in the history of recorded music. No hyperbole.

    I still don’t think I’ve ever even listened the Pezz side…

  • Kevin

    “Two Line Filler was one of the best appreciated and most successful emo bands to come out of Canada in the 90s.”

    I’d have to say that is a little nuts….can’t even say “out of Pickering”….cause there where some killer stuff back then.

    Hey Matt, he forgot the part about the drum stick in the eye!!!

  • Adam

    I played, for a very very short time with Two Line after Matt came in to sing on a demo of mine, I think between Pat and Al Biddle. I got a call, he wanted me to play guitar. I knew Matt for years, but had never tried writing with him. As with most writers, Matt had a great sense of harmony and melody, the problem seemed to be communicating what was in his head, to what he wanted other people to play. He’d come up with strange tunings and guitar parts that on the surface didn’t make sense until you heard everything together, and then you’d say “ahhhhhh now I hear it”! That short time, still influences how I write today. Matt is still an interesting guy, working in a music shop in Toronto ON. Chances are 95% of the kids who go in there have no idea who the guy behind the counter is, or what he is capable of.

  • Matthew White

    Simon Harvey was the person who came up with the album artwork for the split with Fade Away . But I can’t really blame Simon, I just didn’t take it upon myself to put an effort into the artwork. It was obviously done in tonged and cheek, but I don’t think people state side were impressed. Also I never met in a hotel room with Arista, it was very informal. All they did was had an A&R rep come to CBGB’s and watch us play. He wasn’t very impressed which I am not surprised as we were not serious about a music career. We were 4 young adults in a van there to have fun. Also, Kevin and Paul were only argumentative over my choosing of straight edge lyrics cause it did not reflect everyone’s believes within the band at the time. Again it was my ego, it was all about me, this is how things turn out when one cannot compromise, the end result will always backfire.

  • mike calder

    i was tons of fun back then and i still get a random 2 line song on my shuffle every once and a while. matt was and probably still is an underrated song writer. i’ve still got all the records and practice tapes in a box in my room along with all the dead season stuff. good times.
    i was in the band until the end.

  • 12″LP

    If any one has the Bittersweet Vol.3 split with Pezz and is able to post it that would be incredible. Of my ten or so friends that had it we all somehow managed to all end up with the Pezz cd?! Oh, and if anyone has the ‘Birdy Num Nums’ demo Matt White did a couple of years later that would be cool also.

    Keep up the good work!


  • It’s Mike CTW here…. Thanks for posting this material I have the CDS but who knows where they are. Matt White was a musical genius. His concept was to combine hardcore like mosh parts with music like Quicksand grooves with Samiam like pop punk. Thats where those geeky emo mosh parts come from and really not many people were able to transcribe that feeling as well.

    Matt wherever you are… love ya man.

    PS I would reccomend anyone to check out the band Dead Season from the 90s… Members of 2 Line Filler would play in Dead Season.

    Mike CTW…

  • August

    Oh, sorry. The owner of this blog had already commented this post before me )

  • August

    Hello. If You searching for another Two Line Filler recordings – There are their first 7” and split with Fadeaway here:

  • harry

    hey would it be possible for you to post or email the lyrics to the So Far Lost LP? Been searching all over for a copy of this record. Love this band so much.

  • Hello,
    Thank for this post. I don’t know So far lost Lp and I very like the other records (ep, split ep, split cd and cd. If you want one of these records?). Great band, thank you.
    Jean marc